Leon Lukas Plum (1996, Herdecke) studies Aesthetics in Frankfurt and works as a graphic designer.
He holds a master’s degree from Werkplaats Typografie and previously studied at Bauhaus-Universität Weimar and Sint-Lucas Beeldende Kunst Gent.
‘Gramsci once famously noted that the future should be approached with “an optimism of the heart, and a pessimism of the mind”. I notice something similar in Leon’s practice—working and thinking with utopia in the heart, and dystopia on the mind.’ Danny van den Dungen, Experimental Jetset
Latent Space: Werkplaats Typografie End Of The Year Show
Het HEM
Zaandam (NL)
Ästhetik der Zitrone
Egon-Eiermann-Bau
Apolda (DE)
Kollektiv: An Island of Art
Bauhaus Festival “Republic of Spirits”
Weimar (DE)
Bauhaus 100
Leipzig Book Fair
Leipzig (DE)
Die blaue Bibliothek
Graduation Exhibition
Weimar (DE)
28th International Biennial of Graphic Design
Moravska Gallery
Brno (CZ)
Mixtape
Leipzig Book Fair
Leipzig (DE)
Public Keys
Spinnereirundgang
Leipzig (DE)
Ghent Art Book Fair
019 (Dok Noord)
Ghent (BE)
A PRINT
Studio Nock
Gothenburg (SE)
Open Issues – Discussions on Student Publishing
Frances Loeb Library, Harvard University
Cambridge (USA)
Tutti Frutti: Bauhaus Essentials
Kulturfabrik Apolda
Apolda (DE)
automat/isch
Gaswerk Weimar
Weimar (DE)
Ellipsis after Closure
Nicha Keeratiphanthawong, Tabea Nixdorff
It’s A Buzz. It’s Time To Discuss
Academy of Fine Arts Leipzig: It’s A Book
In My Hands — Special issue “In Your Hands”
Academy of Media Arts Cologne
Fantasma
Iván Martinez, Jannete Mark
Typodarium
Slanted/Verlag Hermann Schmidt
Sophie Nys — Not to be fed, but to be famous
Posture Editions
form N°271 “Gefahr/Danger”
Leon Lukas Plum (1996, Herdecke) studies Aesthetics in Frankfurt and works as a graphic designer.
He holds a master’s degree from Werkplaats Typografie and previously studied at Bauhaus-Universität Weimar and Sint-Lucas Beeldende Kunst Gent.
‘Gramsci once famously noted that the future should be approached with “an optimism of the heart, and a pessimism of the mind”. I notice something similar in Leon’s practice—working and thinking with utopia in the heart, and dystopia on the mind.’ Danny van den Dungen, Experimental Jetset
Latent Space: Werkplaats Typografie End Of The Year Show
Het HEM
Zaandam (NL)
Ästhetik der Zitrone
Egon-Eiermann-Bau
Apolda (DE)
Kollektiv: An Island of Art
Bauhaus Festival “Republic of Spirits”
Weimar (DE)
Bauhaus 100
Leipzig Book Fair
Leipzig (DE)
Die blaue Bibliothek
Graduation Exhibition
Weimar (DE)
28th International Biennial of Graphic Design
Moravska Gallery
Brno (CZ)
Mixtape
Leipzig Book Fair
Leipzig (DE)
Public Keys
Spinnereirundgang
Leipzig (DE)
Ghent Art Book Fair
019 (Dok Noord)
Ghent (BE)
A PRINT
Studio Nock
Gothenburg (SE)
Open Issues – Discussions on Student Publishing
Frances Loeb Library, Harvard University
Cambridge (USA)
Tutti Frutti: Bauhaus Essentials
Kulturfabrik Apolda
Apolda (DE)
automat/isch
Gaswerk Weimar
Weimar (DE)
Ellipsis after Closure
Nicha Keeratiphanthawong, Tabea Nixdorff
It’s A Buzz. It’s Time To Discuss
Academy of Fine Arts Leipzig: It’s A Book
In My Hands — Special issue “In Your Hands”
Academy of Media Arts Cologne
Fantasma
Iván Martinez, Jannete Mark
Typodarium
Slanted/Verlag Hermann Schmidt
Sophie Nys — Not to be fed, but to be famous
Posture Editions
form N°271 “Gefahr/Danger”